Showing posts with label comedy. Show all posts
Showing posts with label comedy. Show all posts

Sunday, August 10, 2008

Review: Pineapple Express


Judd Apatow and his gang of comedic misfits have revolutionized the comedy genre within the past few years bringing out such instant classics as 40 Year old Virgin, Knocked Up, and most notably, the comedy that spoke to a new generation of film goers, Super Bad.  And while Pineapple Express contains some of the same charm and clever vulgar dialogue of the teams past productions it lacks cohesiveness and suffers from a much longer run time than needed.  Part of the blessing and the problem with Pineapple Express is director David Gordon Green.  He is a director of small independent dramas such as George Washington and All the Real Girls which have been instant hits with critics.  By bringing him onto this stoner buddy comedy the film gains a touch of class and at times realism.  But Green doesn't know how to counterbalance the stoner comedy aspect with the more outrageous elements in the film and with the constant switch back and forth from realistic situations to pure ridiculousness, it gets hard to handle.  The problem isn'tthat Green isn't a talented director, the problem is this is his first foray into this type of film and you can feel him floundering a bit.  He lets takes run on too long and lets the boys on screen indulge a bit too much in their high as a kite antics.  What he does do surprisingly well for someone who has no experience in this area is stage hilariously violent and over the top action sequences.  I'm assuming he either had an expert DP who knew how to shoot this shit on the set, or he spent a long hard time doing some studying and drawing up lots of storyboards (further investigation shows that the DP was Tim Orr who also has little to no experience shooting action).  But the action never feels staged, until the ending violent fight scene, in fact much of the time it feels sporadic and chaotic which only adds to the hilarity. 

Seth Rogen is a great comedic actor and though his work here is not half as honest as it was in Knocked Up, he is still able to make even the most outrageous situation seem plausible.  He's a great comic everyday guy and he is someone that is easy to relate to, plus his verbal skills onscreen always come through.  He's a lovable stoner, plain and simple.  The other leading man in the film is James Franco as the drug dealing Saul. Franco is a mixed bag in the film.   At times he is spot on with his characterization of a constantly high dope dealer.  But other times he gets a little self indulgent and that's when the picture starts to sag is when we have to sit through countless pot influenced conversations and antics that really lead nowhere.  It easily could have been a much more streamlined and cohesive picture if a good ten to fifteen minutes of unnecessary pot influenced scenes could have been taken out.  I'm sure pot lovers wont mind it much, but for an everyday audience member it gets old. I'm around pot smokers all the time and if I grow tired of them in real life, god knows I'm not going to be able to sit in a theater watching them act like retards when there is a plot I want to get to.  

And that's the other thing with Pineapple Express... there really isn't much plot which is why the film is filled with so much fluff.  It's essentially a chase picture with some interesting side characters.  But really that's all fine because it is an entertaining chase picture.  There are sequences in this film that had me laughing harder than perhaps I ever have, but then there were also scenes in equal measure that just had me shaking my head.  Pineapple Express is an uneven film, but it is funnier than almost anything else to come out this year and it is a welcome distraction after the heaviness that was The Dark Knight.  I recommend the film, but with some reservations.  This is definitely on the lower end of the Apatow comedy group's films, but it still worth a look if you need a good hearty laugh or two... or ten.

Saturday, August 9, 2008

The Year of the Comedy?

The Dark Knight is destroying all of it's competition at the Box Office this summer, as it rightfully should be considering it is one of the greatest and smartest summer blockbusters ever made.  Yep, I said it.  But believe it or not there are also some other films that have come out this year or are coming out this year that are believed to generate some serious revenue... and a lot of them are comedies.  The Judd Apatow crew has, for better or for worse, changed the face of modern movie comedies and they keep having hit after hit.  I loved last years surprise hits Knocked Up and Super Bad and I was looking forward to seeing what the team could come up with this year.  They have already released the critically acclaimed mini-hit Forgetting Sarah Marshall, which I have yet to see.  And this weekend they have opened the stoner violent comedy Pineapple Express to some mixed reviews, but the box office will be great (though reports indicate that The Dark Knight looks like it will come on top again bringing its domestic haul to 441 million dollars...JESUS!).  I'm not sure if the Apatow gang has another other films up it's sleeve for the rest of the year (I haven't done that much research as of yet), but its safe to say that they will continue to be able to make pretty much anything that they want for a long time to come.  Even though their films are filled with goofy pot loving morons, they are sweet and honest and at times so much more intelligent and in touch with the current generation than other dreck that passes for comedy these days.  

But we don't just have Apatow comedies to look forward to this year.  No, by summers end two more certain to be hits will have landed.  The first being the Ben Stiller directed war movie send up comedy Tropic Thunder.  Tropic Thunder's early buzz has been mostly positive with some even going as far as saying that Robert Downey Jr. deserves an Oscar nomination for his role as an Australian actor who undergoes a pigmentation surgery in order to play a black soldier.  The premise for that character alone is enough to get me to buy a ticket (I plan on going to the midnight screening, something I mostly only do for huge event films, Like the Dark Knight).

 The other film that hits late this August is the Sundance hit Hamlet 2.  This is the film I am really looking forward to.  It looks hysterical and it has been a while since a good film has come out that mocks theater in a loving fashion.  And since this one is so obviously mocking musical theater, my personal passion, you can bet that I will be there on opening night to take it all in.  With a song like "Rock Me Sexy Jesus" how could you not want to see this film?


I love that these films are coming out just before Oscar season really hits.  It will be a great comedic prelude to all the seriousness we will have to sit through this fall and early winter. So my question remains... is this the year of the comedy? If we take the Dark Knight out of the equation could these films become the top money makers for the year?  Certainly not individually, but when pooled together it might become clear that the comedy is back in considerably late fashion.  Or I could just be full of shit.  We shall see once the box office receipts come in.